My art practice follows an experiential line of research rooted in cycles of everyday life – cycles that ebb from the pulse of daily maintenance, and flow both with and against the rhythms of the stars. I am curious about human-land relationships and how place gives context and meaning to everyday, lived realities. These routine interactions generate slow, small collections of artworks made with found objects, plants, memories and questions. I regard these materials and experiences as collaborators with their own inherent agency, holding memory and presence in multiple spaces in time. Through somatic inquiry and material experimentation, I play with visual storytelling to create alternative archives of place, offering subtle disruptions in our perception of what surrounds us.